Packed with useful tips and delicious recipes from a slew of experts, Weed covers smoking, cooking, and growing cannabis, as well as proper stoner etiquette and a guide to mustvisit destinations around the world. Not too long ago, it might have seemed impossible that cannabis would step out of the shadows into the mainstream. But now, as legalization sweeps the globe, a new weed culture is evolving with its own set of rules—and thousands of new devotees eager to learn them. Journalist Michelle Lhooq lives in Los Angeles and is at the forefront of this revolution. Through her own expertise as well as interviews with stars from the weed scene, she presents a captivating glimpse into the wild new frontier of cannabis. This witty, insightful guidebook offers useful tips on how to smoke joints, vapes, and concentrates; make edibles and infused cocktails; grow the plant at home; and find the best cannabis stores. It imparts the wisdom of renowned potheads such as pioneering dub music producer Lee “Scratch” Perry and includes interviews with the cannabis industry’s most exciting and innovative figures, from a lauded chef who puts on a gourmet weed dinner series, to the editors of a weed-centric magazine, to a “cannasexual” sex educator, and more. Complete with vibrant new hand-drawn illustrations by the artist Thu Tran, Weed is cutting-edge, comprehensive, and brimming with sparkling personalities—an essential introduction to pot for both newbies and die-hards alike.

Bind: hardback

Pages: 160

Dimensions: 170 x 240 mm

Publication Date: 12-03-2019

The world-famous Diary of a young girl was written by a Dutch Jewish teenager hiding from the Nazis in Amsterdam during World War 2. Over the last 60 years it has sold more than 30 million copies and been translated into over 70 languages. Now it is available in Te Reo Māori! Anne Frank's masterpiece - her self-awareness, fears, frankness and humour - has been published in this new translation so that thousands of school, Kura Kaupapa Māori, and tertiary education institution students can enjoy it in Te Reo Māori. So can the growing number of adult learners who are studying the language.

Bind: paperback

Pages: 264

Dimensions: 152 x 229 mm

Publication Date: 14-06-2019

Diana Bridge’s subjects are reflected through a range of cultural lenses. To engagement with Western and New Zealand literature should be added her immersion in the great Asian cultures of China and India. Her poetry is an intricate meshing of realities and possesses a remarkable depth and richness of perspective. These are poised, elegantly wrought poems, full of lively intelligence and verbal deftness. Since Baxter, most New Zealand poets have shied away from the use of myth in their poetry. In this collection, Bridge mines this vein for its deeply traditional and personal resonances. She knows, as firmly as did Jung, that ‘myths give us pictures for our emotions’. Here, the poems that openly glance off myth are brief, fresh takes that centre on the heroines of Western Classical legend. They begin in an irony that is needed to cope with the sometimes shocking stories, then range through time to alight with radical brevity on Shakespeare and English history. The refrain of the past narrows down to the notion of the family, No one of us today is of the House of Atreus – Just meet the Family, I say. The book concludes with ‘The Way a Stone Falls’, 22 poems set in Southeast Asia. The sequence takes on board the Cambodian tragedy of last century by way of headless statues – taking a sideswipe at French colonialism. It confronts the hardest decision in the whole Hindu tradition, that of Arjuna in the Bhagavad Gita. This is how Bridge finds her way in the world – a place of trees and people and noise and contingency – with the assurance that myth tells her story as well as its own.

Bind: paperback

Pages: 80

Publication Date: 01-06-2019

Revised and Updated 2019 Edition Stewart Island is an increasingly popular holiday destination for eco-tourism and outdoor recreation, with many bush walks and a wealth of natural features to enjoy. Neville Peat introduces the attractions of the island – what to see and do, its walks and tramps, its national park, wildlife, history and magnificent scenery.

Bind: paperback

Pages: 72

Dimensions: 170 x 210 mm

Publication Date: 01-06-2019

Every morning, so far, I’m alive is about what it’s like to live in a world where shaking a stranger’s hand, catching a taxi or touching a door handle are fraught with fear and dread. This memoir charts the author’s breakdown after migrating from New Zealand to England: what begins as homesickness and career burn-out develops into depression, contamination phobia and OCD. Increasingly alienated from all the things that previously gave her life meaning and purpose – family, work, nature, literature – the author is forced to confront a question once posed by the young Virginia Woolf: ‘How is one to live in such a world?’ In this fiercely honest memoir Wendy Parkins, a former English professor, explores what it means to belong and feel at home, and how we are shaped by our first environments, both familial and physical. Describing the gradual process of recovery – as well as its reversals – it shows that returning to health can be about rediscovering how we came to be who we are, without becoming trapped by our narratives of origin. Like coming home, recovery is never quite what we expect it to be, however much we long for it. Beautifully written, intensely moving and threaded with self-deprecating humour, Every morning, so far, I’m alive is about claiming the right to tell our own story and learning to embrace the risks that the messy unpredictability of life always entails.

Bind: paperback

Pages: 220

Dimensions: 150 x 230 mm

Five notable twentieth-century New Zealanders who made their lives in Australia are the subject of this fascinating biographical investigation by award-winning author Stephanie Johnson. Roland Wakelin, Dulcie Deamer, Jean Devanny, Douglas Stewart and Eric Baume had little in common in personality, proclivities and politics. Yet they all experienced fame and/or notoriety in the ‘West Island’ while being largely forgotten in their country of origin. They also occasionally crossed paths in the course of eventful lives. The works of painter Roland Wakelin place him as a founder of Australia’s Modern Movement, while his modest and affable personality was the opposite of the stereotypical artist. Dulcie Deamer was a writer and libertine known for her leopardskin attire and associations with the larger-than-life characters of the Sydney bohemian set – including the ‘Witch of Kings Cross’, fellow New Zealander Rosaleen Norton. The forthright feminism and creative integrity of novelist Jean Devanny led to bitter battles with the same communist movement she devoted decades of her life to. Douglas Stewart was one of the most famous ‘Australian’ writers of his period. He was a long- term gatekeeper for Australian letters as the literary editor of the Bulletin, and then editor for publishers Angus and Robertson. Born into an unusual and unorthodox Jewish family, Eric Baume gained prominence in Australia as an early prototype of the modernday ‘shock jock’ and at one stage one of the country’s highest-earning media personalities and bestselling authors. A lifelong gambling addict, he died in debt. Stephanie Johnson restores these striking New Zealanders to our national narrative, engaging their life stories to illuminate the curious lacuna that exists at the heart of the complex relationship between the two nations. As a writer with strong connections to both countries, Johnson draws on her own experiences of life on both sides of ‘the ditch’ in her reflections on the trans-Tasman diaspora and the subtle differences and cultural divide that set apart the two countries.

Bind: paperback

Pages: 288

Dimensions: 150 x 230 mm

To the Occupant takes the everyday and transforms it into something fine and precious and enduring. With an unsparing attention, Emma Neale creates shape-shifting poems that confound prejudices and subvert expectations. Displaying verve and confidence, her poetry is filled with musicality and dynamic language, always observant to the world and its details. The striking imagery and emotional range of her work never veer into sentimentality. These poems engage with the full spectrum of human emotion and experience, the hauntings of history, the cold hand of social inequality, and the long contrail of intimate cruelties. They challenge the open and latent violence of contemporary life, from refugee crises to rape, poverty and mental illness to climate change, while revealing the extraordinary in the everyday, where a child’s-eye view of the world can witness the wonder of the new or the shadow of darkness. Whimiscal typographical experiments and prose poems sit next to reimagined fables (the Big Bad Wolf repurposed as inner demon), deliciously light-handed satire, and quietly powerful insights into the contemporary political terrain. To the Occupant is an innovative and astounding collection from one of New Zealand’s leading writers of her generation.

Bind: paperback

Pages: 80

Dimensions: 150 x 230 mm

FEATURED ARTISTS Sharon Singer, Ngahuia Harrison, Peter Trevelyan AWARDS & COMPETITIONS Results and winning essays from the 2019 Charles Brasch Young Writers’ Essay Competition, and judge’s report by Emma Neale. WRITERS John Adams, Peter Bland, Laura Borrowdale, Bill Bradford, Iain Britton, Medb Charleton, Stephen Coates, Carolyn DeCarlo, John Dennison, Lynley Edmeades, David Eggleton, Joan Fleming, Jasmine Gallagher, John Gallas, Brett Gartrell, John Geraets, Tim Grgec, Michael Hall, Rebecca Hawkes, Joy Holley, Aaron Horrell, Gail Ingram, Claudia Jardine, Sam Keenan, Erik Kennedy, Arihia Latham, Jessica Le Bas, Wes Lee, Tina Makereti, Ria Masae, Cilla McQueen, Zoë Meager, Robynanne Milford, Sean Monaghan, Art Nahill, Kavita Nandan, Rachel O’Neill, Maris O’Rourke, Claire Orchard, Joanna Preston, essa may ranapiri, Anna Rankin, Jeremy Roberts, Leanne Radojkovich, Carrie Rudzinski, Kerrin P. Sharpe, Sarah Shirley, Rachel Smith, Elizabeth Smither, Catherine Trundle, Kirsteen Ure, Tam Vosper, Tom Weston, Anna Woods, Kirby Wright REVIEWS Landfall Review Online: books recently reviewed John Dennison on Collected Poems by Allen Curnow, eds Elizabeth Caffin and Terry Sturm Michael Hulse on Allen Curnow by Terry Sturm, ed. Linda Cassells Tracey Slaughter on Caroline’s Bikini by Kirsty Gunn Philip Temple on Charles Brasch Journals 1958–1973, ed. Peter Simpson Lynley Edmeades on louder, by Kerrin P. Sharpe; Enclosures 4 by Bill Direen; and Luxembourg by Stephen Oliver Airhia Latham on Tāngata Ngāi Tahu /People of Ngāi Tahu (Vol. 1), eds Helen Brown and Takerai Norton

Bind: paperback

Pages: 208

Dimensions: 165 x 215 mm

Until the age of twenty, Donald McIntyre hoped to play for the All Blacks, and was on his way to achieving that aim. As a young man, however, he acknowledged his exceptional voice and opted for a career in singing. After leaving New Zealand and arriving in London, McIntyre set his sights on the world of opera. His spectacular musical life saw him conquering the stages of two London companies in the 1960s and 70s: Sadler’s Wells and ROH Covent Garden. His increasing command of Wagner roles brought him to the notice of Richard Wagner’s grandson Wolfgang Wagner, and in 1967 he made his debut appearance in Lohengrin. For the next seventeen years he sang in every Festival cycle and became the first “British” musician to sing the role of Wotan in Wagner’s mighty, four-opera Ring. Recognised for nearly three decades as the definitive Flying Dutchman, McIntyre also starred in the Bayreuth Centennial Ring in a production by Patrice Chéreau that completely revolutionised Wagner opera, and shot him to lasting fame, and in 1992, a knighthood. In this fascinating memoir “Sir Don” looks back over a huge slice of operatic history and his role in it. Mixing fun and gossip with judgement and insight, he brings to life a teeming gallery of the world’s most famous musicians – singers, conductors, directors, teachers, designers, sponsors … all the movers and shakers in the opera world of two generations. Edited by music professor and well-known New Zealand Wagnerian and radio personality, Heath Lees, this book is a fitting monument to Sir Donald’s magnificent half century in opera.

Bind: hardback

Pages: 240

Dimensions: 170 x 240 mm

Publication Date: 19-05-2019

James Wilson was a farmer for 40 years before he became a vegan, a change that he believes saved his life. He'd spent a lifetime farming, growing, harvesting and eating meat and milk products, but eight years ago a health scare persuaded him to make the dramatic decision to change his lifestyle. James and his wife Barbie immediately adopted a whole-food plant-based (WFPB) diet and lifestyle - a vegan approach. And they've never looked back. Veganism, he insists, ensures a longer and healthier life. It also severely reduces our individual environmental footprint and avoids the often-appalling cruelty that livestock farming causes to animals. "Of course, there is a fourth reason" says James Wilson, "not quite so scientifically upheld, but one that works for me. And that is simply that there is joy in being vegan". Plant Paradigm forcibly puts the case for veganism, including some practical suggestions for how to cook vegan at home.

Bind: paperback

Pages: 121

Dimensions: 125 x 204 x 8 mm

Publication Date: 31-05-2019