Dan Davin, one of New Zealand’s acknowledged masters of the short story, was born in Invercargill in 1913. The Gorse Blooms Pale gathers together twenty-six stories and a selection of poems reflecting his experiences while growing up in an Irish–New Zealand family in Southland. Comic, haunting, poetic, profound and lyrical, the stories have a regional flavour quite unlike any other body of work in New Zealand literature. They insightfully capture the character of a close-knit rural community and its post-British social relationships and tribulations, with a flair equal to such other New Zealand writers as Sargeson, Frame, Middleton or Marshall. The Gorse Blooms Pale is a rare treasure in the landscape of twentieth-century New Zealand literature.

Bind: hardback

Pages: 304

Dimensions: 138 x 210 mm

FEATURED ARTISTS Scott Eady, Yonel Watene, Fatu Feu`u AWARDS & COMPETITIONS Results and winning essay from the: • Landfall Essay Competition 2020 • Caselberg Trust International Poetry Prize 2020 • Frank Sargeson Prize 2020 WRITERS John Allison, Nick Ascroft, Wanda Baker, Peter Belton, Victor Billot, Ella Borrie, Cindy Botha, Liz Breslin, Brent Cantwell, Marisa Cappetta, Catherine Chidgey, Jennifer Compton, Lynn Davidson, Breton Dukes, Norman Franke, Jasmine Gallagher, Giles Graham, Charlotte Grimshaw, Rebecca Hawkes, Nathaniel Herz-Edinger, Zoe Higgins, Gail Ingram, Ash Davida Jane, Pippi Jean, Stacey Kokaua, A.M. McKinnon, Cilla McQueen, Alice Miller, Jessica Le Bas, Art Nahill, Jilly O’Brien, Chris Parsons, Sarah Paterson, Robyn Maree Pickens, Angela Pope, Sugu Pillay, essa may ranapiri, Vaughan Rapatahana, Alan Roddick, Ruth Russ, Lynda Scott Araya, Tracey Slaughter, Matafanua Tamatoa, Jessica Thompson-Carr, Catherine Trundle, Chris Tse, Iain Twiddy, Oscar Upperton, Tim Upperton, Dunstan Ward, Harris Williamson, Sharni Wilson, Sophia Wilson, Anna Woods REVIEWS Landfall Review Online: books recently reviewed. And: JAMES NORCLIFFE on Eileen Duggan Selected Poems, ed. Peter Whiteford; Denis Glover Selected Poems, ed. Bill Manhire; and R.A.K. Mason: Uncollected Poems, ed. Roger Hickin CATHERINE ROBERTSON on All the Way to Summer: Stories of love and longing by Fiona Kidman GIOVANNI TISO on Not in Narrow Seas: The economic history of Aotearoa New Zealand by Brian Easton GENEVIEVE SCANLAN on Mezzaluna by Michele Leggott CHRIS TSE on How to Be Old by Rachel McAlpine and The Lifers by Michael Steven

Bind: paperback

Pages: 208

Dimensions: 150 x 230 mm

Publication Date: 15-11-2020

The Handbook of New Zealand Mammals is the only definitive reference on all the land-breeding mammals recorded in the New Zealand region (including the New Zealand sector of Antarctica). It lists 65 species, including native and exotic, wild and feral, living and extinct, residents, vagrants and failed introductions. It describes their history, biology and ecology, and brings together comprehensive and detailed information gathered from widely scattered or previously unpublished sources. The description of each species is arranged under standardised headings for easy reference. Because the only native land-breeding mammals in New Zealand are bats and seals, the great majority of the modern mammal fauna comprises introduced species, whose arrival has had profound effects both for themselves and for the native fauna and flora. The book details changes in numbers and distribution for the native species, and for the arrivals it summarises changes in habitat, diet, numbers and size in comparison with their ancestral stocks, and some of the problems they present to resource managers. For this third edition, the text and references have been completely updated and reorganised into Family chapters. The colour section includes 14 pages of artwork showing all the species described and their main variations, plus two pages of maps.

Bind: hardback

Pages: 576

Dimensions: 270 x 210 mm

Publication Date: 11-01-2021

Bound together by myth and music, Michael Harlow's The Moon in a Bowl of Water is a stunning new collection from a poet in complete control of his craft. Harlow is the maestro of the prose poem. Here he presents a collection of small human journeys, with a strong emphasis on narrative. The work is consciously rooted in Greek mythology and in the idea of storytelling as a continuous river, flowing from the ancients to the present, telling one story on the surface, but carrying in its depths the glints of ancient archetypes, symbols and myths. Each poem is studded with associations that hark back millennia. Harlow delights in the airiness of the imagination and the magic of transformation, especially through the power of language. Words become `thought-birds' that can be caged, coaxed to sing, or allowed to fly, and the poems' sonic after-effects echo and re-echo in the reader's mind and ear.

Bind: paperback

Pages: 80

Dimensions: 165 x 235 mm

AWARDS & COMPETITIONS Results and winning essays from the 2018 Charles Brasch Young Writers’ Award, and judge’s report by Emma Neale. WRITERS Aimee-Jane Anderson-O’Connor, Nick Ascroft, Joseph Barbon, Airini Beautrais, Tony Beyer, Mark Broatch, Danny Bultitude, Brent Cantwell, Rachel Connor, Ruth Corkill, Mark Edgecombe, Lynley Edmeades, Johanna Emeney, Bonnie Etherington, Jess Fiebig, Meagan France, Kim Fulton, Isabel Haarhaus, Bernadette Hall, Michael Hall, Rebecca Hawkes, Aaron Horrell, Jac Jenkins, Erik Kennedy, Brent Kininmont, Wen-Juenn Lee, Zoë Meager, Alice Miller, Dave Moore, Art Nahill, Janet Newman, Charles Olsen, Joanna Preston, Jessie Puru, Jeremy Roberts, Derek Schulz, Sarah Scott, Charlotte Simmonds, Tracey Slaughter, Elizabeth Smither, Rachael Taylor, Lynette Thorstensen, James Tremlett, Tam Vosper, Dunstan Ward, Susan Wardell, Sugar Magnolia Wilson REVIEWS Landfall Review Online: books recently reviewed Chris Else on Moonshine Eggs by Russell Haley Stephanie Johnson on Decline and Fall on Savage Street by Fiona Farrell Owen Marshall on Tess by Kirsten McDougall Chris Tse on What Is Left Behind by Tom Weston; Rumpelstiltskin Blues by John Adams; Tales of the Waihorotiu by Carin Smeaton Ray Grover on Phoney Wars: New Zealand society in the Second World War by Stevan Eldred-Grigg with Hugh Eldred-Grigg Genevieve Scanlan on Hoard by Fleur Adcock; Field Notes by Mary Cresswell; Luminescent by Nina Powles Philip Temple on Edmund Hillary: A biography by Michael Gill Tom Brooking on Tōtara: A natural and cultural history by Philip Simpson Published with the assistance of Creative New Zealand

Bind: paperback

Dimensions: 165 x 215 mm

Publication Date: 01-05-2018

When Dr Ron Jones joined the staff of National Women’s Hospital in Auckland in 1973 as a junior obstetrician and gynaecologist, Professor Herbert Green’s study into the natural history of carcinoma in-situ of the cervix (CIS) – later called ‘the unfortunate experiment’ – had been in progress for seven years. By the mid-1960s there was almost universal agreement among gynaecologists and pathologists worldwide that CIS was a precursor of cancer, requiring complete removal. Green, however, believed otherwise, and embarked on a study of women with CIS, without their consent, that involved merely observing, rather than definitively treating them. Many women subsequently developed cancer and some died. In 1984 Jones and senior colleagues Dr Bill McIndoe and Dr Jock McLean published a scientific paper that exposed the truth, and the disastrous outcome of Green’s experiment. In a public inquiry in 1987 Judge Sylvia Cartwright observed that an unethical experiment had been carried out in large numbers of women for over 20 years. Since that time there have been attempts to cast Green’s work in a more generous light. This rewriting of history has spurred Ron Jones to set the record straight by telling his personal story: a story of the unnecessary suffering of countless women, a story of professional arrogance and misplaced loyalties, and a story of doctors in denial of the truth.

Bind: paperback

Pages: 264

Dimensions: 150 x 230 mm

Publication Date: 20-02-2017

In this beautiful and transformative book, 24 Māori academics share their personal journeys, revealing what being Māori has meant for them in their work. Their perspectives provide insight for all New Zealanders into how mātauranga is positively influencing the Westerndominated disciplines of knowledge in the research sector. It is a shameful fact, says co-editor Jacinta Ruru in her introduction to Ngā Kete Mātauranga, that in 2020, only about 5 percent of academic staff at universities in Aotearoa New Zealand are Māori. Tertiary institutions have for the most part been hostile places for Indigenous students and staff, and this book is an important call for action. ‘It is well past time that our country seriously commits to decolonising the tertiary workforce, curriculum and research agenda,’ writes Professor Ruru. The book demonstrates the power, energy and diversity that can be brought out into the world by Māori scholars working both comfortably and uncomfortably from within, without and across diverse academic disciplines and mātauranga Māori. – Professor Linda Tuhiwai Smith These deeply personal stories provide a portal into the te ao Māori world, which many outside it seek to understand, but struggle to find a frame in which to do so. The abstract concept of decolonising the tertiary workforce is brought to life and given meaning by these kōrero of strength, where the authors display courage and vision from within an environment so often hostile to Indigenous ways of knowing. Read it, be inspired, and welcome this refreshingly written challenge to embrace mātauranga Māori and build a stronger academy. – Professor Juliet A. Gerrard, Prime Minister’s Chief Science Advisor Kaitohutohu Mātanga Pūtaiao Matua ki te Pirimia

Pages: 304

Dimensions: 230 x 260 mm

Featured Artists: Claire Beynon, Ewan McDougall (cover artist) and Bridget Reweti Awards & Competitions: Results from the 2021 Charles Brasch Young Writers Essay Competition Other Highlights: The latest reviews of New Zealand Books as well as stunning new writing from established literary heavyweights and thrilling new voices - the work promises to range from the wry, ludic and lyrical, to gripping body horror as social commentary, which is at once comic and unsettling.

Bind: paperback

Pages: 208

Dimensions: 165 x 215 mm

Publication Date: 01-05-2021

Bryan Walpert’s fourth collection of lyric poems ranges in its focus from flowers to infinities, from laundry to eternity, but is founded most fully on what it is to move into middle age – to wait still for life’s promised brass band to arrive. Whether writing from the perspective of a parent watching childhood slip away or ventriloquising the 17th-century scientific language of Robert Hooke and Robert Boyle to craft surprising love poems, he engages the world with a keen and often witty perception, a deft juggling of the sentence, and a sense of wonder. Frequently playful in approach, the poems are always serious in their engagement with the bewildering nature of time passing – of growing up, and growing old. AUTHOR Bryan Walpert is the author of three previous collections of poetry – Etymology, A History of Glass and most recently Native Bird. He is also the author of a novella, Late Sonata, winner of the Seizure Viva La Novella prize; a collection of short fiction, Ephraim’s Eyes; and two scholarly books: Poetry and Mindfulness: Interruption to a Journey, and Resistance to Science in Contemporary American Poetry. His work has appeared in New Zealand, Australia, the UK, the US and Canada, and has been recognised by the Montreal International Poetry Award, the New Zealand International Poetry Competition and the James Wright Poetry Award (US). He is a professor in creative writing at Massey University, Auckland. More on Bryan can be found at bryanwalpert.com.

Bind: paperback

Pages: 96

Dimensions: 148 x 210 mm

Publication Date: 01-05-2021

Landfall is New Zealand’s foremost and longest-running arts and literary journal. It showcases new fiction and poetry, as well as biographical and critical essays, and cultural commentary. Each issue brims with a mix of vital new work by this country’s top new and more established writers latest reviews of New Zealand book as well as stunning new writing from established literary heavyweights and thrilling new voices – the work promises to range from the wry, ludic and lyrical, to gripping body horror as social commentary, which is at once comic and unsettling. This issue will be the first from new Landfall editor Lynley Edmeades. Edmeades is the author of two poetry collections, As the Verb Tenses (2016) and Listening In (2019). She has an MA in creative writing from the Seamus Heaney Centre for Poetry at Queen’s University of Belfast and holds a PhD in avant-garde poetics from the University of Otago. In 2018, she was the Ursula Bethell Writer in Residence at the University of Canterbury, and she currently teaches poetry and creative writing on the English program at the University of Otago. AWARDS & COMPETITIONS Results from the Landfall Essay Competition 2021, Caselburg Trust International Poetry Prize 2021 and the Kathleen Grattan Award for Poetry 2021.

Bind: paperback

Pages: 208

Dimensions: 165 x 215 mm

Publication Date: 22-10-2021