- 40th Anniversary Edition
- Architecture & Design
- Arts & Photography
- BA Basic Art
- BU Bibliotheca Universalis
- Childrens (All)
- Cooking, Food & Drink
- Craft & Hobbies
- Design (Art / Graphics)
- Design (Interiors)
- Fiction & Literature
- Fiction - Young Adult
- Health & Wellbeing
- Home & Garden
- Humour & Gift
- New Zealand
- NZ (History)
- NZ (Landscapes)
- NZ (Pictorial)
- Religion & Faith
- Science & Nature
- Sport & Recreation
- Te Reo Māori
NZ (History) (12)
Cook's Ark is a fascinating account of the animals that sailed with Captain James Cook to the South Pacific, with particular reference to New Zealand. It offers...
Cook's Ark is a fascinating account of the animals that sailed with Captain James Cook to the South Pacific, with particular reference to New Zealand. It offers a novel insight into an aspect of Cook's voyages rarely touched on by other authors: the menagerie that travelled in uncomfortably close proximity to the men on board Endeavour and Resolution. From the tiniest mouse, poultry, cats, monkeys, goats, pigs, etc to the larger cattle and horse, the reader follows their journey with Captain Cook. Dr Sutherland's intensive research on the vermin, livestock, utility animals, pets and exotic animals that sailed with Captain Cook not only reveals a captivating glimpse into the life of animals at sea in the 18th century, but also exposes little known or understated historical facts. These include the story behind the massacre of Furneaux's men at Grass Cove, the relationship between a Maori girl and a young seaman, and for the readers interested in heritage breeds, concludes by linking animals introduced during Cook's voyages to some of New Zealand's rarest breeds of livestock.
Dimensions: 203 x 254 mm
Publication Date: 01-12-2019
House of Treasures - 150 Objects from Canterbury Museum Nga Taonga Tuku Iho
Since first opening its doors to the public on Rolleston Avenue on 1 October 1870, Canterbury Museum has come to house an estimated 2.3 million taonga (treasure...
Since first opening its doors to the public on Rolleston Avenue on 1 October 1870, Canterbury Museum has come to house an estimated 2.3 million taonga (treasures). To celebrate the Museum’s 150th anniversary, 150 taonga (treasures) from this vast collection are showcased in a superbly designed and photographed book House of Treasures: 150 Objects from Canterbury Museum Ngā Taonga Tuku Iho. The featured taonga speak of the depth and breadth of the collection and honour the generations of staff, volunteers and visitors who have made the Museum the remarkable and much-loved place that it is today. From the smallest to the largest, from the beautiful to the bizarre, from the tragic to the humorous, from local taonga to those created far, far away, the objects in House of Treasures tell an extraordinary story of natural and human history, and of Canterbury Museum itself.
Dimensions: 250 x 300 mm
Publication Date: 01-10-2020
DUE > 9th Oct 2020
Women Heroes of World War I
Author: Kathryn Atwood
In time for the 2014 centennial of the start of the Great War, this book brings to life the brave and often surprising exploits of 16 fascinating women from aro...
In time for the 2014 centennial of the start of the Great War, this book brings to life the brave and often surprising exploits of 16 fascinating women from around the world who served their countries at a time when most of them didn't even have the right to vote. Readers meet 17-year-old Frenchwoman Emilienne Moreau, who assisted the Allies as a guide and set up a first-aid post in her home to attend to the wounded; Russian peasant Maria Bochkareva, who joined the Imperial Russian Army by securing the personal permission of Tsar Nicholas II, was twice wounded in battle and decorated for bravery, and created and led the all-women combat unit the "Women's Battalion of Death" on the eastern front; and American journalist Madeleine Zabriskie Doty, who risked her life to travel twice to Germany during the war in order to report back the truth, whatever the cost. These and other suspense-filled stories of brave girls and women are told through the use of engaging narrative, dialogue, direct quotes, and document and diary excerpts to lend authenticity and immediacy. Introductory material opens each section to provide solid historical context, and each profile includes informative sidebars and "Learn More" lists of relevant books and websites, making this a fabulous resource for students, teachers, parents, libraries, and homeschoolers.
Publication Date: 01-06-2014
Tag: NZ (History)
Bus Stops On The Moon : Red Mole Days 1974-1980
Bus Stops on the Moon is a personal and a cultural history. As memoir, it is a sequel to The Dreaming Land (2015). A troubled and restless young Martin Edmond i...
Bus Stops on the Moon is a personal and a cultural history. As memoir, it is a sequel to The Dreaming Land (2015). A troubled and restless young Martin Edmond is on his way to becoming the wiser, older man who will sit down and write both narratives. As cultural history, the book gives us a participant’s-eye view of the early years of Alan Brunton and Sally Rodwell’s avant-garde theatre troupe Red Mole. Formed in 1974, Red Mole performed Dadaesque cabaret, agit-prop, costume drama, street theatre, circus and puppetry, live music, and became a national sensation. They toured the country with Split Enz and travelled internationally. One of Red Mole’s five founding principles was ‘to escape programmed behaviour by remaining erratic’. They ticked that one off. In Bus Stops on the Moon Martin Edmond offers, with his customary elegance, a rich and entertaining picture of the high times and low lives of Red Mole.
Dimensions: 170 x 240 mm
Publication Date: 11-09-2020
DUE > 18th Sep 2020
Rape Myths As Barriers To Fair Trial Process
‘Rape Myths as Barriers to Fair Trial Process’ opens the courtroom door on rape trials to investigate how and why they re-traumatise complainants. Despite d...
‘Rape Myths as Barriers to Fair Trial Process’ opens the courtroom door on rape trials to investigate how and why they re-traumatise complainants. Despite decades of targeted law reform, adult complainants still report that the process of being a witness is a significant point of re-victimisation. This book contains the findings of four years of research that compares the trial process in 30 adult rape cases from 2010 to 2015 (in which the defence at trial was consent) with 10 cases from the Sexual Violence Court Pilot heard in 2018. The aim of the research was to find out at which points in the questioning process the complainant displayed heightened emotionality, including distress, and why cross-examination (in particular) is so resistant to reform measures. Researchers also considered the extent to which the current rules of evidence and procedure are applied appropriately and consistently, and identified examples of best practice in order to develop proposals for changes to law and process. Elisabeth McDonald is a Professor of Law at the University of Canterbury. She has taught and published in the areas of sexual and family violence, law and sexuality, criminal law and the law of evidence for 30 years, as an academic and as the Policy Manager for the evidence law reference at the New Zealand Law Commission. Elisabeth is the author of a number of evidence law textbooks and online legal resources, as well as co-editor of ‘From “Real Rape” to Real Justice’ (2011) and ‘Feminist Judgments Aotearoa: Te Rino, the Two-Stranded Rope’ (2017). In June 2018, she became a Member of the New Zealand Order of Merit for Services to Law and Education.
Dimensions: 210 x 296 mm
Publication Date: 03-06-2020
Ko Aotearoa Tatou We Are New Zealand An Anthology
In the aftermath of the Christchurch terrorist attacks of 15 March 2019, Prime Minister Jacinda Ardern declared: ‘We are all New Zealanders.’ These words re...
In the aftermath of the Christchurch terrorist attacks of 15 March 2019, Prime Minister Jacinda Ardern declared: ‘We are all New Zealanders.’ These words resonated, an instant meme that asserted our national diversity and inclusiveness and, at the same time, issued a rebuke to hatred and divisiveness. Ko Aotearoa Tātou | We Are New Zealand is bursting with new works of fiction, nonfiction, poetry and visual art created in response to the editors’ questions: What is New Zealand now, in all its rich variety and contradiction, darkness and light? Who are New Zealanders? The works flowed in from well-known names and new voices, from writers and artists from Kerikeri to Bluff. Some are teenagers still at school; some are in their eighties. Māori, Pākehā, Pasifika, Asian, new migrants, young voices, queer writers, social warriors … Aotearoa’s many faces are represented in this unique and important compendium. In a society where the arts, especially marginalised arts, are under threat, this anthology shows that creative work can explore, document, interrogate, re-imagine – and celebrate – who we are as citizens of this diverse country, in a diverse world. A list of all contributors can be found at https://wearenewzealand.org/.
Dimensions: 165 x 210 mm
Publication Date: 20-10-2020
DUE > 20th Oct 2020
Thomas Potts of Canterbury Colonist and Conservationist
In 1858 Canterbury settler Thomas Potts protested against the destruction of tōtara on the Port Hills near Christchurch. A decade later, as a member of Parliam...
In 1858 Canterbury settler Thomas Potts protested against the destruction of tōtara on the Port Hills near Christchurch. A decade later, as a member of Parliament, he made forest conservation a national issue. Through his writing he raised the then novel idea of protecting native birds on island reserves, and proposed the creation of national ‘domains’ or parks. As a pioneering colonist, acclimatist and runholder, however, Potts’ own actions threatened the very environments he sought to maintain. This makes him a fascinating subject as we confront present-day problems in balancing development and conservation. This book is about, and partly by, Potts, and through him about New Zealand and the course and consequences of colonisation. It describes and interprets his life, from his early years in England through to his 34 years in New Zealand. Excerpts from Potts’ vivid 1850s diary, written from close to the edge of European settlement, are published here for the first time. Thomas Potts of Canterbury also reproduces 11 long-forgotten essays by him from the 1880s, in which he reflected on the 1850s and what had happened since – both to New Zealand’s natural environment and to Māori and Pākehā. Sixteen pages of contemporary images supplement the text. Thomas Potts of Canterbury will appeal to anyone interested in the early history of Canterbury, in environmental change, and in early efforts in New Zealand towards conservation. It is a story of conflicting goals, magnificently exemplified in the life and writings of a man who strove, 150 years ago, to be both colonist and conservationist.
Dimensions: 170 x 240 mm
Publication Date: 20-09-2020
Merchant Miner Mandarin : The Life and Times of the Remarkable Choie Sew Hoy
In 1869, a businessman from China’s Guangdong Province first set foot on New Zealand soil at Port Chalmers. It was the beginning of an illustrious career that...
In 1869, a businessman from China’s Guangdong Province first set foot on New Zealand soil at Port Chalmers. It was the beginning of an illustrious career that would change the shape of commerce and industry in Otago and Southland. ‘Merchant, Miner, Mandarin’ depicts the fascinating life of Choie Sew Hoy – from his early days in China before emigrating to Australia and then New Zealand, to his death in 1901 as one of Dunedin’s most prominent entrepreneurs. The store Choie Sew Hoy established in Dunedin’s Stafford Street was a huge success, while his revolutionary gold-dredging technology improved the fortunes of the gold-mining industry in Otago and Southland. He backed dredging, quartz crushing and hydraulic sluicing ventures in the goldfields of Ophir, Macetown, Skippers, Nokomai and the Shotover. Sharp as a razor, Sew Hoy was a visionary, able to spot opportunities no one else could, whether sending vast amounts of unwanted scrap metal from New Zealand back to China, or joining famous Taranaki businessman Chew Chong’s fungus export trade. Sew Hoy was also a local character, always elegantly dressed and with legendary success in horse racing. His self-assurance and charm gained him entry to the Chamber of Commerce, the Jockey Club, the Masons and even the Caledonian Society. A benefactor to many social causes, he supported hospitals and benevolent associations to help his fellow Chinese immigrants. When the success of the Chinese in New Zealand aroused hostility, he fought the prevalent racism and unfair government legislation of the day. A man of two worlds, Choie Sew Hoy was a success in both. Richly illustrated and deeply researched, ‘Merchant, Miner, Mandarin’ is both the compelling biography of one of the most distinguished figures of New Zealand business and an intriguing account of late 19th-century society, industry and race relations.
Dimensions: 210 x 265 mm
Publication Date: 19-06-2020
Crossing The Lines
In Crossing the Lines, Brent Coutts brings to light the previously untold history of New Zealand homosexual soldiers in World War II, drawing on the experiences...
In Crossing the Lines, Brent Coutts brings to light the previously untold history of New Zealand homosexual soldiers in World War II, drawing on the experiences of ordinary men who lived through extraordinary times. At the centre of the story are New Zealand soldiers Harold Robinson, Ralph Dyer and Douglas Morison, who shared a queer identity and love of performance. Through their roles as female impersonators in Kiwi concert parties in the Pacific and Egypt they found a place to live as gay men within the military forces, boosting the morale of personnel in the Pacific Campaign and, along the way, falling in love with some of the men they met. Crossing the Lines is a richly illustrated account that follows the men from their formative pre-war lives, through the difficult wartime years to their experiences living in a postwar London where they embraced the many new possibilities available. It is a story of strong friendships, the search for love and belonging as homosexuals within the military and civilian worlds, and the creation of the foundation of the queer community today.
Dimensions: 170 x 240 mm
Publication Date: 07-08-2020
From Suffrage to a Seat in the House: The path to parliament for New Zealand women
New Zealand has always proudly worn its status of being the first country to enfranchise women. But not many know that it took a further 40 long years to get th...
New Zealand has always proudly worn its status of being the first country to enfranchise women. But not many know that it took a further 40 long years to get the first woman elected to Parliament. In fact women were not even entitled to stand as candidates in national elections until 1919 – 26 years after they won the right to vote in those elections. Even then there was resistance, with editor of the Auckland Star stating that it would open the way for ‘a class of aggressive females who, thirsting for publicity, would be constantly pushing themselves forward into positions for which they are in no sense fitted’. The journey ‘from the home to the House’ was a shamefully protracted one for New Zealand women, as many male parliamentarians who grudgingly accepted the franchise being extended to women staunchly resisted any further progress. Their political machinations and filibustering were highly effective. Eventually, with an additional 130,000 voters enrolled, politicians began to realise that women’s votes – and even women’s voices – mattered. However, it was not until 1933 that the first woman was elected to the New Zealand Parliament, when Elizabeth McCombs won the Lyttelton seat, following the death of her husband, the sitting MP. The history of women striving to share in governing the country, a neglected footnote in the nation’s electoral history, is now captured in this essential work by Jenny Coleman. She has drawn on a wide range of sources to create a rich portrayal of a rapidly evolving colonial society in which new ideas and social change were in constant friction with the status quo.
Dimensions: 150 x 230 mm
Publication Date: 30-05-2020