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Lars Muller Publishers (7)
Architecture and Plurality : Aga Khan Award for Achitecture 2016
This book brings together a diverse range of exemplary architectural projects from across the globe. Carefully selected and examined by a team of experts, these...
This book brings together a diverse range of exemplary architectural projects from across the globe. Carefully selected and examined by a team of experts, these projects demonstrate innovative approaches that respond to the challenges and potentials of contemporary conditions and contexts. One guiding principle of this cycle of the Aga Khan Award for Architecture is the importance of plurality. Since its inception the Award has aimed to be inclusive and to embrace the engagement of a diverse group of users. But equally, it has sought projects that explore a plurality of methods and architectures in achieving that goal. Here, the authors of the essays use that productive tension between architecture and plurality not only to provide a framework for the examination of the projects but also to explore the intellectual and projective means by which architecture and plurality can ﬁnd other common grounds in the future.
Dimensions: 160 x 240 mm
Publication Date: 30-11-2016
Bauhaus Journal 1926-1931
One hundred years after the founding of Bauhaus, it’s time to revisit bauhaus journal as significant written testimony of this iconic movement of modern art. ...
One hundred years after the founding of Bauhaus, it’s time to revisit bauhaus journal as significant written testimony of this iconic movement of modern art. In this journal, published periodically from 1926 to 1931, the most important voices of the movement are heard: masters of the Bauhaus, among others, Josef Albers, Walter Gropius, Wassily Kandinsky, Paul Klee, László Moholy-Nagy, and Oskar Schlemmer, as well as Herbert Bayer, Marcel Breuer, Ludwig Mies van der Rohe, Gerrit Rietveld, and many more. They address the developments in and around the Bauhaus, the methods and focal points of their own teaching, and current projects of students and masters. At the time primarily addressed to the members of the “circle of friends of the bauhaus,” the journal published by Gropius and Moholy-Nagy makes tangible the authentic voice of this mouthpiece of the avant-garde. The facsimile reprint is intended to give new impetus to international discussion and research on the Bauhaus, its theories and designs. The exact replica of all individual issues are accompanied by a commentary booklet including an overview of the content, an English translation of all texts, and a scholarly essay which places the journal in its historical context.
Dimensions: 210 x 297 mm
Publication Date: 19-03-2019
DUE > 30th Jun 2019
Click Said The Camera
In Balthasar Burkhard and Markus Jacob’s elegantly designed children’s book, 20 animals meet for a photographer’s beauty contest. The protagonist of the s...
In Balthasar Burkhard and Markus Jacob’s elegantly designed children’s book, 20 animals meet for a photographer’s beauty contest. The protagonist of the story is a shy donkey who watches the antics of the animals with wry humor as they pose for the photographer, parading their splendor. “’Please stand here, in front of this backdrop, Baboon,’ said the artist … ‘Click,’ said the camera.” First published in 1997, this beloved children’s book is now reprinted in a smaller format
Dimensions: 240 x 170 mm
Publication Date: 28-02-2018
The Formal Basis of Modern Architecture
In The Formal Basis of Modern Architecture the internationally acclaimed US-American architect Peter Eisenman—world-famous for his Holocaust Memorial in Berli...
In The Formal Basis of Modern Architecture the internationally acclaimed US-American architect Peter Eisenman—world-famous for his Holocaust Memorial in Berlin (2005)—confronts historicism with theory and the analysis of form, whose distinguishing features he regards as the foundation of architectural composition. The architect illustrates his observations with numerous, extremely precise hand drawings. Eisenman wrote The Formal Basis of Modern Architecture, his dissertation, in 1963 at the University of Cambridge. The dissertation was ﬁrst published as a facsimile edition by Lars Müller Publishers in 2006. The original content of the publication is now available again—the book is reprinted in a smaller format. “I knew what I wanted to write,” Eisenman says of the dissertation. “An analytic work that related what I had learned to see, from Palladio to Terragni, from Raphael to Guido Reni, into some theoretical construct that would bear on modern architecture, but from the point of view of a certain autonomy of form.” Hence the title of his research.
Dimensions: 230 x 240 mm
Publication Date: 27-07-2018
Color Mania : The Material of Color in Photography and Film
More than 230 film color processes have been devised in the course of film history, often in connection with photography. Both mediums institutionalized the tec...
More than 230 film color processes have been devised in the course of film history, often in connection with photography. Both mediums institutionalized the techniques of hand and stencil coloring as well as toning. Printing methods such as the Pinatype or Technicolor, and screen processes like the Autochrome or Dufaycolor were initially developed in the context of still photography before being used in motion pictures in the 1920s. This publication highlights material aspects of color in photography and film, while also investigating the relationship of historical film colors and present-day photography. Alongside film stills from the likes of Godard and Lynch, works by contemporary photographers and artists―Dunja Evers, Raphael Hefti, Alexandra Navratil and others―reflect on technological and culture-theoretical aspects of the material of color. Thematic clusters focus on aesthetic and technological parallels, including fashion and identity, abstraction and experiment, politics, exoticism and travel.
Dimensions: 165 x 240 mm
Publication Date: 22-11-2019
For nearly ﬁfty years “the building” has primarily been viewed as a means rather than an end within architectural history and theory. This volume presents...
For nearly ﬁfty years “the building” has primarily been viewed as a means rather than an end within architectural history and theory. This volume presents an alternative to that trend by reconceiving it as a central discursive category in its own right. Contributors—including architects and academics from world-renowned institutions—oﬀer insightful discussions of key architectural structures conceived in Europe, Asia, and the U.S.A. over the last three decades. In doing so they propel architectural thinking’s importance as a domain of knowledge. Further, in exploring those structures through a number of questions both intra- and meta-disciplinary, this book suggests ways in which buildings can trigger conceptual frameworks whose inﬂuence extends well beyond architecture. A balanced text-to-image ratio caters to readers in both practice and academia.
Dimensions: 170 x 240 mm
Publication Date: 10-10-2016
A Book of Things - Jasper Morrison
Jasper Morrison has the ability to bestow things with a distinctive style. His signature style is evident in many of the everyday objects that surround us. His ...
Jasper Morrison has the ability to bestow things with a distinctive style. His signature style is evident in many of the everyday objects that surround us. His repertoire of essential designs is characterised by simplicity yet complexity, as well as a sense of poetry and humour. Morrison works on a global scale and is one of the most influential product designers in the world today. A Book of Things is a collection of products and projects across the broad spectrum of his activities and demonstrates the continuity of his interests and methods, which he describes in succinct texts. Following on from Everything but the Walls (2002), A Book of Things is a continuation of Morrison’s intense examination of the world of things that accompany our lives and shape our environment.
Dimensions: 203 x 275 x 24 mm
Publication Date: 30-12-2015