Like a human tsunami, World War II brought two million American servicemen to the South Pacific where they left a human legacy of some thousands of children. Mothers’ Darlings of the South Pacific traces the intimate relationships that existed in the wartime Pacific between US servicemen and Indigenous women, and considers the fate of the resulting children. The American military command carefully managed such intimate relationships, applying US immigration law based on race to prevent marriage ‘across the colour line’. For Indigenous women and their American servicemen sweethearts, legal marriage was impossible, giving rise to a generation of children known as ‘GI babies’. Among these Pacific war children, one thing common to almost all is the longing to know more about their American father. Mothers’ Darlings of the South Pacific traces these children’s stories of loss, emotion, longing and identity, and of lives lived in the shadow of global war. It considers the way these relationships developed in the major US bases of the South Pacific Command from Bora Bora in the east across to Solomon Islands in the west, and from the Gilbert Islands in the north to New Zealand. The writers interviewed many of the children of the Americans and some of the few surviving mothers, as well as others who recalled the wartime presence in their islands. Oral histories reveal what the records of colonial governments and the military largely have ignored, providing a perspective on the effects of the US occupation that until now has been disregarded by historians of the Pacific war.

Bind: paperback

Pages: 424

Dimensions: 152 x 228 mm

Publication Date: 13-06-2016

The Depression of the 1930s was a defining period in New Zealand history. It had its own vocabulary – swaggers and sugarbags, relief work and sustenance, the Queen Street riots and special constables – that was all too familiar to those who lived through that tumultuous decade. But one generation’s reality is another’s history. The desperate struggles experienced by many for work, food and shelter during the 1930s eventually gave way to the sunny postwar years, when the Depression was no more than an uncomfortable memory. And now, for the children of the twenty-first century, it’s just a word. While the lives of those most affected by the Depression have been admirably documented in oral histories in various forms, the political and economic context, and the manoeuvrings and responses to the unprecedented conditions have not, until now, been given the extensive analysis they deserve. The Broken Decade, Malcolm McKinnon’s detailed and absorbing history of this period, unpicks the Depression year by year. It begins by introducing the prosperous world of New Zealand in the late 1920s before focusing on the sudden onset of the Depression in 1930–31, the catastrophic months that followed and, finally, on the attempt to find a way back to that pre-Depression prosperity. Informed by exhaustive research, relevant statistics and fascinating personal accounts, and made accessible and meaningful by insightful analysis, this important book will become New Zealand’s definitive study of the 1930s Depression.

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Pages: 556

Dimensions: 170 x 240 mm

Publication Date: 12-09-2016

There is perhaps no issue in New Zealand today more contentious than water rights. The Crown claims that no one owns water, but its use, irrigation and treatment are controlled by local governments empowered by the Crown. Since the 1990s resource consents for the taking of water, in Canterbury and Southland especially, have increased dramatically and the environmental situation is reaching a breaking point. After years of discussion some kind of system regarding the ownership of water is inevitable. In Water Rights for Ngāi Tahu, Te Maire Tau considers the historical and political framework that has contributed to the current state of water rights in the Ngāi Tahu takiwā. He explores the customary, legal and Treaty frameworks that feed into the debate regarding the ownership of water. From 1844 to 1864 the Crown purchased more than 34.5 million acres of land from Ngāi Tahu, but in most purchase deeds water is not mentioned. How does this play into claims to water? Should the Treaty be relied upon? How far can kaitiakitanga take us if the goal is mana motuhake and tino rangatiratanga? In this short book Te Maire Tau lays out the historical background and context to water rights, and opens a discussion about where to proceed next in determining a Ngāi Tahu position on water.

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Pages: 74

Dimensions: 148 x 210 mm

Publication Date: 17-11-2017

In 1862, ambitious scientist James Glaisher set out to do the impossible: ascend higher into the skies than ever before. A pioneer of weather forecasting and of photography, he wanted to take ground-breaking research measurements from different altitudes. Before aeroplanes, the only unpredictable available method of air transportation was the hot air balloon. Embarking on several journeys between 1862 and 1866, sometimes with co-pilot and experienced aeronaut Henry Coxwell, Glaisher would pack his compass, thermometers and bottles of brandy and head skyward, hoping for hospitable conditions.On 2nd September 1862, the pair undertook what is now viewed as one of the greatest daredevil stories in the history of aviation. Rising higher and higher above the town of Wolverhampton, Glaisher started to experience balloon sickness'. At first his vision clouded over. His limbs began to feel heavy, and before long, movement was impossible. Coxton's hands turned black. And eventually, the pair lost consciousness. They peaked at 37,000 feet (7 miles or 11km), a height now almost always undertaken by mechanical probes and somehow together, on the verge of death, they managed to regain control of their own bodies, even record their observations, and begin their descent. They were lucky to be alive.Written in his own words, The Aeronauts chronicles Glaisher's incredible flights and discoveries first hand, as well as his observations on those pioneers who came before and inspired him. His death-defying journey forms the story of the forthcoming MajorMotion Picture The Aeronauts, with Eddie Redmayne playing Glaisher opposite Felicity Jones as his balloon companion, Amelia Wren.

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Pages: 128

Dimensions: 129 x 198 mm

Publication Date: 05-09-2019

Cook's Ark is a fascinating account of the animals that sailed with Captain James Cook to the South Pacific, with particular reference to New Zealand. It offers a novel insight into an aspect of Cook's voyages rarely touched on by other authors: the menagerie that travelled in uncomfortably close proximity to the men on board Endeavour and Resolution. From the tiniest mouse, poultry, cats, monkeys, goats, pigs, etc to the larger cattle and horse, the reader follows their journey with Captain Cook. Dr Sutherland's intensive research on the vermin, livestock, utility animals, pets and exotic animals that sailed with Captain Cook not only reveals a captivating glimpse into the life of animals at sea in the 18th century, but also exposes little known or understated historical facts. These include the story behind the massacre of Furneaux's men at Grass Cove, the relationship between a Maori girl and a young seaman, and for the readers interested in heritage breeds, concludes by linking animals introduced during Cook's voyages to some of New Zealand's rarest breeds of livestock.

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Pages: 200

Dimensions: 203 x 254 mm

Publication Date: 01-12-2019

New Zealand has always proudly worn its status of being the first country to enfranchise women. But not many know that it took a further 40 long years to get the first woman elected to Parliament. In fact women were not even entitled to stand as candidates in national elections until 1919 – 26 years after they won the right to vote in those elections. Even then there was resistance, with editor of the Auckland Star stating that it would open the way for ‘a class of aggressive females who, thirsting for publicity, would be constantly pushing themselves forward into positions for which they are in no sense fitted’. The journey ‘from the home to the House’ was a shamefully protracted one for New Zealand women, as many male parliamentarians who grudgingly accepted the franchise being extended to women staunchly resisted any further progress. Their political machinations and filibustering were highly effective. Eventually, with an additional 130,000 voters enrolled, politicians began to realise that women’s votes – and even women’s voices – mattered. However, it was not until 1933 that the first woman was elected to the New Zealand Parliament, when Elizabeth McCombs won the Lyttelton seat, following the death of her husband, the sitting MP. The history of women striving to share in governing the country, a neglected footnote in the nation’s electoral history, is now captured in this essential work by Jenny Coleman. She has drawn on a wide range of sources to create a rich portrayal of a rapidly evolving colonial society in which new ideas and social change were in constant friction with the status quo.

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Pages: 338

Dimensions: 150 x 230 mm

Publication Date: 30-05-2020

For two periods in the early 1960s young science technician Don Webster wintered over in Antarctica, helping build extensions to the New Zealand station at Scott Base. It was barely two years after Sir Edmond Hillary’s support of the 1957-58 Commonwealth Trans-Antarctic Expedition. Don describes in detail the design and construction of the buildings of the base, providing an invaluable historical record of both the physical base itself and also of daily life there in the summers and winters of those early years. Storms, severe cold and aircraft accidents are described in vivid detail. The book has 370 photographs many never before published.

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Pages: 268

Dimensions: 210 x 250 mm

Publication Date: 31-12-2019

Refocusing Ethnographic Museums through Oceanic Lenses offers a collaborative ethnographic investigation of Indigenous museum practices in three Pacific museums located at the corners of the so-called Polynesian triangle: Bernice Pauahi Bishop Museum, Hawai‘i; Museum of New Zealand Te Papa Tongarewa; and Museo Antropológico Padre Sebastián Englert, Rapa Nui. Since their inception, ethnographic museums have influenced academic and public imaginations of other cultural-geographic regions and as a result, Euro-Americentric projection of anthropological imaginations has come under intense pressure. At the same time, (post)colonial renegotiations in former European and American colonies have initiated dramatic changes to anthropological approaches through Indigenous museum practices. This book shapes a dialogue between Euro-Americentric myopia and Oceanic perspectives by offering historically informed, ethnographic insights into Indigenous museum practices grounded in Indigenous epistemologies, ontologies and cosmologies. In doing so, the book employs Oceanic lenses that help to reframe Pacific collections in, and the production of public understandings through, ethnographic museums in Europe and the Americas. Following this line of reasoning, Refocusing Ethnographic Museums sets out to offer insights into Indigenous museologies across Oceania to recalibrate ethnographic museums, collections and practices through Indigenous Oceanic approaches and perspectives. This, in turn, should assist any museum scholar and professional in rethinking and redoing their respective institutional settings, intellectual frameworks and museum processes when dealing with Oceanic affairs; and, more broadly, in doing the ‘epistemic work’ needed to confront ‘coloniality’, not only as a political problem or ethical obligation but ‘as an epistemology, as a politics of knowledge’.

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Pages: 264

Dimensions: 150 x 230 mm

Ken Gorbey is a remarkable man who for 15 years was involved with developing and realising the revolutionary cultural concept that became Te Papa Tongarewa Museum of New Zealand. Then in 1999 he was headhunted by W. Michael Blumenthal to salvage the Jewish Museum Berlin, which was failing and fast becoming a national embarrassment. Led by Gorbey, a young, inexperienced staff, facing impossible deadlines, rose to the challenge and the museum, housed in Daniel Libeskind’s lightning-bolt design, opened to acclaim. As Blumenthal writes in the foreword: ‘I can no longer remember what possessed me to seriously consider actually reaching out to this fabled Kiwi as a possible answer to my increasingly serious dilemma …’ but the notion paid off and today the JMB is one of Germany’s premier cultural institutions. Te Papa to Berlin is a great story – a lively insider perspective about cultural identity and nation building, about how museums can act as healing social instruments by reconciling dark and difficult histories, and about major shifts in museum thinking and practice over time. It is also about the difference that can be made by a visionary and highly effective leader and team builder.

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Pages: 280

Dimensions: 150 x 230 mm

In the early 20th century, 130 young Anglo-Indians were sent to New Zealand in an organised immigration scheme from Kalimpong, in the Darjeeling district of India. They were the mixed-race children of British tea planters and local women, and were placed as workers with New Zealand families from the Far North to Southland. Their settlement in New Zealand was the initiative of a Scottish Presbyterian missionary, the Rev Dr John Anderson Graham, who aimed to ‘rescue’ and provide a home and an education for children whose opportunities would have been limited in the country of their birth. Jane McCabe is the granddaughter of Lorna Peters, who arrived with a group from Kalimpong in 1921. Jane is one of many hundreds of descendants now spread throughout New Zealand. Most grew up with little or no knowledge of their parent’s Indian heritage. The story of interracial relationships, institutionalisation – and the sense of abandonment that often resulted – was rarely spoken of. But since the 1980s increasing numbers have been researching their hidden histories. In the process, extraordinary personal stories and many fabulous photographs have come to light. Jane McCabe here tells this compelling and little-known New Zealand story, in pictures.

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Pages: 146

Dimensions: 203 x 230 mm