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Christchurch Heritage Houses II
This book follows the best-selling publication Canterbury Country Houses series and is a collection of seventy-six heritage houses, most of which have been pres...
This book follows the best-selling publication Canterbury Country Houses series and is a collection of seventy-six heritage houses, most of which have been preserved following the Canterbury Earthquakes of 2010 and 2011 This is the second book of Christchurch Heritage Houses, personally selected by artist and author Rodney Wells, showcasing the domestic architecture that is still a rich part of Christchurch's heritage.
Dimensions: 280 x 220 mm
Publication Date: 31-08-2017
One of the art world's most recognisable and popular styles, Impressionism is also one of the most complex. In this sumptuous overview Norbert Wolf lends his at...
One of the art world's most recognisable and popular styles, Impressionism is also one of the most complex. In this sumptuous overview Norbert Wolf lends his attention to all aspects of Impressionism: its historical precursors, contemporary rivals and the movements it inspired. Over 200 large format reproductions of entire works and highlighted details introduce readers to the Impressionists' aesthetics and techniques. Wolf draws insightful parallels between these paintings and other contemporary works of music, photography, and literature. Tracing the movement's expansion from France to the rest of Europe and North America, this volume shines a spotlight on the main protagonists not only highlighting the French pioneers--Claude Monet, Gustave Caillebotte, Edouard Manet, Pierre-Auguste Renoir, Camille Pissarro, and others--but also Max Liebermann, Lovis Corinth, John Singer Sargent, Mary Cassatt, William Merritt Chase, and James McNeill Whistler, to name a few. As luxurious as it is authoritative, this wide-ranging investigation of a momentous period in art history reveals works and ideas that will surprise even the most seasoned aficionado.
Dimensions: 280 x 340 mm
A unique cultural history of travel and tourism in the 19th and 20th centuries This volume will awaken feelings of both nostalgia and wanderlust Full of histo...
A unique cultural history of travel and tourism in the 19th and 20th centuries This volume will awaken feelings of both nostalgia and wanderlust Full of historic photographs that will amaze and delight Relax by the ocean or head to the mountains? This vacation planning debate-starter is actually a fairly recent invention. To people of an earlier era, both options seemed unappealing and nearly impossible to visit. It wasn’t until railroads came along that remote areas became accessible, making travel agency founder, Thomas Cook, the inventor of modern tourism as well. Fishing villages turned into swanky beach resorts, out-of-the-way mountain hamlets became hot destinations for hikers and skiers, and humble inns blossomed into grand hotels. Nostalgic Journeys takes you on an unforgettable trip through the last two centuries: ride the Orient Express to the Middle East, cross the Atlantic on an enormous steamship, follow Route 66 through the USA, or break through the sound barrier on the Concorde. Paging through this volume will remind you that traveling was and can be more than just sitting in traffic or enduring security checks. Travel can also be a stylish and sometimes adventurous way to experience the world and return home forever changed by exotic sights and sounds. Bon voyage!
Dimensions: 246 x 320 mm
The Golden Age of Formula 1 (small format)
An ideal gift for lovers of fine photography, fast cars and a fascinating decade A worthy tribute to one of motor sports’ most exciting eras The masterpiece...
An ideal gift for lovers of fine photography, fast cars and a fascinating decade A worthy tribute to one of motor sports’ most exciting eras The masterpiece of one of Formula One’s most important observers, Rainer W. Schlegelmilch’s book on the most fascinating era of car racing is now available in a smaller format for a special price Few spectator sports generate such excitement as Formula 1. The name refers to the most advanced and competitive of the FIA’s racing formulae. It’s a raw combination of speed, skill, and that certain hint of daring. Journey back in time to the glory years of the 1960s. Marvel at the vintage cars, big-name champions and heart-stopping victories. All the big names are here: Jim Clark, Jacky Ickx, Jack Brabham—just to name a few. With Schlegelmilch’s compelling photographs, this exceptional volume takes fans so close they can almost smell the burning rubber and hear the engines roar! Rainer W. Schlegelmilch has been a motor sports photographer since 1962. His expert lens has covered all the great names in racing. His unique style captures the drama of this action-charged sport.
Dimensions: 250 x 310 mm
Publication Date: 20-02-2017
Presenting historic and contemporary selections from one of the nation’s oldest collections of drawings, this richly illustrated and highly engaging volume ex...
Presenting historic and contemporary selections from one of the nation’s oldest collections of drawings, this richly illustrated and highly engaging volume explores the significance and pleasures found in tracing movements of the hand on paper by asking the question “Why Draw?” An intimate art form, drawing offers a direct connection to one’s imagination; a means of exercising the eye, brain, and the hand; and a way to spark new ideas and resolve pictorial challenges.This volume features more than 100 exceptional drawings, pastels, watercolors, and collages from the Bowdoin College Museum of Art, which has been collecting drawings since the 1811 bequest of James Bowdoin III. The works exemplify what compels artists to draw and thus illustrate the ongoing relevanceof drawing as the most foundational artistic practice. Gathered here for the first time in a book, the range, quality, and uniquenessof the drawings will captivate anyone interested in drawing as an art form. Reproduced in gorgeous color illustrations, works from Peter Paul Rubens to Mary Cassatt, Ed Ruscha, and Jim Dine are accompanied by brief commentary. Statements from acclaimed contemporary artists, leading curators, and distinguished scholars provide insights into the creative process. “Why Draw?” grants personal access to this singular, evolving collection and will appeal to art lovers everywhere.
Dimensions: 240 x 280 mm
Publication Date: 01-05-2017
The Great Big Art History Colouring Book
Young readers will find themselves immersed in art history with this large-format coloring book that provides hours of fun with great educational opportunities ...
Young readers will find themselves immersed in art history with this large-format coloring book that provides hours of fun with great educational opportunities along the way. Filled with imaginative drawings and sketches to color in and paint, this book features all twelve large plates and many more individual scenes from Annabelle von Sperber’s “Where’s the Artist?” book. Arranged chronologically, each scene depicts a critical juncture in the history of art: from the temples of ancient Egypt to Leonardo da Vinci’s studio. The drawings encourage coloring and learning about artistic movements and personalities, making this a source of information as well as a welcome outlet for the artist in all of us.
Dimensions: 285 x 395 mm
Publication Date: 01-03-2017
Tracking Captain Thomas
The continuing myth that Canterbury was born in December 1850 with the arrival of the First Four Ships has to be dispelled. Canterbury did not, like the legenda...
The continuing myth that Canterbury was born in December 1850 with the arrival of the First Four Ships has to be dispelled. Canterbury did not, like the legendary Athena, spring 'fully-armed from the head of Zeus' (in this case, John Robert Godley) as succeeding generations after 1851 have been led to believe. So much of the initial work was carried out by the Canterbury Association Chief Surveyor Captain Thomas; so much of this effort, intentionally or unintentionally, was obscured by the settlers of the 1850s, Thomas deserves recognition as a Canterbury founder.
Dimensions: 210 x 297 mm
Publication Date: 24-04-2017
We Could Be Heroes
Zeus – or Jupiter in his Roman manifestation – could shake Mount Olympus with the nod of his head, and send thunder and lightning across the heavens. Perseu...
Zeus – or Jupiter in his Roman manifestation – could shake Mount Olympus with the nod of his head, and send thunder and lightning across the heavens. Perseus was given winged boots with which he could fly. The gods and heroes of the Greeks and Romans were powerful. Yet they were also complex, subject to human emotions and relationship troubles. The 87 artefacts and eight essays in this richly illustrated catalogue offer an insight into their complex world, a world that is in some ways familiar, but in others very distant from our own. ‘We Could Be Heroes’celebrates the stories of their adventures, disputes, conflicts and love interests and is published to accompany the inaugural exhibition at the Teece Museum of Classical Antiquities in 2017. Many beautiful, rare and valuable artefacts are on display in this first significant exhibition of the Logie Collection after the devastating Canterbury earthquakes of 2010 and 2011. The exhibition also marks the return of the University of Canterbury to its first home in the Christchurch Arts Centre, the original site of Canterbury College. Gary Morrison is a senior lecturer in the Classics Department at the University of Canterbury. Penelope Minchin-Garvin and Terri Elder are co-curators of antiquities in the Teece Museum of Classical Antiquities at the University of Canterbury, the first museum of classical antiquities in New Zealand, and the new home of the James Logie Memorial Collection.
Dimensions: 210 x 270 mm
Publication Date: 15-05-2017
Railway Houses of New Zealand
The previously untold story of New Zealand’s iconic railway houses, of which more than 3,700 are dotted around the New Zealand landscape. As New Zealand Railw...
The previously untold story of New Zealand’s iconic railway houses, of which more than 3,700 are dotted around the New Zealand landscape. As New Zealand Railways pushed the rail network about New Zealand, opening new country for development, a challenge presented itself to house railwaymen in country areas where infrastructure didn’t exist or was newly formed. Railways only alternative was to construct houses for their employees. Initially part of the Public Works Department responsibilities, eventually an Architectural Branch within New Zealand Railways was formed under George Troup. This development lead to new designs of railway houses, a design that was to become symbolic in the New Zealand landscape. To manufacture these houses, Railways set up a sawmill and special factory in Frankton, kit-setting houses, delivering them by rail as parts packs and ultimately erecting them about the country. As well as far-flung reaches of the railway system, Railways ended up developing “model” railway settlements at places as diverse as Otahuhu, Newmarket, Frankton, TeKuiti, Taumarunui, Ohakune, Taihape, Palmerston North, Napier, Eastown, Kaiwharawhara, Christchurch, Arthur’s Pass, Otira, Dunedin and other places around the country. These houses were supplemented in later years by newer designs. This book covers the housing scheme, sawmill and house factory, the railway settlements, the maintenance programme, the house numbering system, and as a railwayman and his family, what it was like living in a railway house, and how railway families interacted socially, often located in distant isolation from towns and cities. The book closes with Government’s exit from railway house ownership in the 1990s and a chapter on the railway house survivors that have been lovingly restored by current owners. Complementing the text is a lavish selection of black and white and colour images from the era and current day. Railway houses and the nearby railway environment where they were located are extensively featured.
Dimensions: 273 x 213 x 20 mm
Publication Date: 04-09-2017
The Face of Nature
Bounded by the wild waves of the Pacific on the east, and the more sheltered harbour on the west, the Otago Peninsula is a remarkable landscape. Today a habita...
Bounded by the wild waves of the Pacific on the east, and the more sheltered harbour on the west, the Otago Peninsula is a remarkable landscape. Today a habitat for a diverse array of wildlife including albatrosses, penguins and seals, the Peninsula has undergone dramatic changes since it first attracted human settlement. In The Face of Nature: An environmental history of the Otago Peninsula Jonathan West explores what people and place made of one another from the arrival of the first Polynesians until the end of the nineteenth century. The Peninsula has always been one of the places in Otago most important to Māori. In 1844 they reluctantly agreed to split it with the British, but the land Māori retained has remained at the core of their history in the region. The British settlers divided their part of the Peninsula into small farms whose owners transformed it from native forest into cow country that fed a booming Dunedin – at that point New Zealand’s leading commercial city. This rigorously researched, beautifully illustrated local history documents the rapid environmental change that ensued, which went far beyond the transformation from forest to farm, to the loss of birds, the exhaustion of inshore fisheries, eruptions of pests and weeds, enormous sand-blows, and huge and sometimes sudden landslides. The speed and scope of change driven by human occupation of the Peninsula were summed up in 1901 by George Malcolm Thomson, natural scientist and historian. In just 50 years, he said, ‘the whole face of Nature is altered’. Already, alongside pride in what they had made of the Peninsula, settlers felt remorse for the losses they had caused. The Face of Nature incorporates a rich array of maps, paintings and photographs to illustrate the making – and unmaking – of this unique landscape. In doing so it illustrates why the Otago Peninsula is an ideal location through which to understand the larger environmental history of these islands.
Dimensions: 170 x 240 mm
Publication Date: 05-12-2017