"There Are No Horses In Heaven" is a warm, delightful collection from poet Frankie McMillan, full of vivid phrasing, eerie moments, and a colourful cast of characters. Readers will keep recalling and revisiting these poems: they tingle with the same sense of the ineffable, like certain chords in musical pieces. Gorgeous, haunting and beautifully strange, they seem to have a ripple effect. One poem causes another, they glint and glance off each other depicting a world of real emotion and psychological mystery: how strange we are to ourselves and to each other, even when we have such depth of feeling for each other. "There Are No Horses In Heaven" has been designed and printed in a limited edition in collaboration with Ilam Press, Ilam School of Fine Arts. Original artwork for cover design by Lyttelton artist Nichola Shanley.

Bind: paperback

Pages: 102

Dimensions: 125 x 200 mm

Publication Date: 20-03-2015

‘Slippery, and exciting … The stories come at youdirectly, and then turn askance, and then slap youin the face’ Allan Drew ‘Bonsai’ brings together a pioneering collection of flash fiction and associated forms (prose poetry and haibun) from 165 writers in Aotearoa New Zealand, along with intriguing essays on this increasingly popular genre. In 200 small stories of no more than 300 words, where the translucent boundaries between prose and poetry are often transgressed, we discover a vast array of human experience. Here, children race snails, shoot tin cans, learn to fly, and look for Antarctica in a drain pipe, while Schrödinger’s cat dreams of life and death, a dog licks away a woman’s tears, and a peacock guards its human family. Family tensions spill over during trips to the beach, couples get together and fall apart, babies are born – or not born – and parents die. You might find yourself dancing like the cool kids, listening to a neighbour sing in the dark, or watching a tractor catch fire. There are perfect moments in miniature as dew falls on a spider’s web and strangers make eye contact. Composed with precision in a form where every word counts, these carefully chiselled works are provocative, tender and endlessly surprising. About the editors Michelle Elvy is a writer and editor of flash fiction whose recent work appears in ‘New Micro Fiction’(WW Norton, 2018). Among her many editing roles she is editor at ‘Flash Frontier’. Frankie McMillan has been called ‘our maestro of flash fiction’.Her book ‘My Mother and the Hungarians, and other small fictions’ (CUP, 2016) was long-listed for the Ockham Book Awards. James Norcliffe is a poet, editor and writer for children. He is editor at ‘Flash Frontier’and has published nine collections of poetry, including ‘Dark Days at the Oxygen Café’(VUP, 2016).

Bind: paperback

Pages: 296

Dimensions: 165 x 215 mm

Publication Date: 24-08-2018

Darkly comic, surreal and full of perceptiveness about human vulnerability and eccentricity, Frankie McMillan’s small fictions often duck and dive away from the reader’s expectations. With a poet’s sense of how single words or phrases ripple out with alternate meanings, and a dramatist’s feeling for how apparently small gestures reveal character, and how sudden, cataclysmic change can wrench us out of comfort, routine and unthinking assumptions, the author leaves us ransacking the language for finer genre definitions. This collection teems with both the animal world and a vivid circus of quirky human individuals. The pieces globe-trot all over the planet: from Russia to America to New Zealand; and yet often their piquant wisdom comes from how they bear down into ‘micro-geography’ of intimate relationships: the troughs, peaks, cliff-sides, the warm, still pools of recognition. Frankie McMillan is like a quietly outrageous Zen master, showing us human folly and idiocy, steering us carefully over the dark river of vulnerability that swells under it all. "The Father of Octopus Wrestling, and other small fictions" is an artisan production, designed and printed by Ilam Press, Ilam School of Fine Arts and is published with the support of Creative New Zealand.

Bind: paperback

Pages: 146

Dimensions: 165 x 230 mm

Publication Date: 23-08-2019

In these small stories, Frankie McMillan balances transgression and wit, showing a cast of unmoored characters with her signature warmth and compassion. Bursts of vivid, poetic writing blur the line between reality and surrealism as she explores all kinds of wandering: children wander, adults drift into unexpected relationships, and footholds can never be certain. Water, too, meanders like a river in the collection, a powerful presence linking disparate lives: the girls raised by swans swim towards what they hope is a better future in the West, a grandmother swims naked in an isolated bush lake, Magdalene’s behaviour on the fishing boat is under scrutiny by her sisters, while the taniwha Kaiwhakaruaki looms over lovers hiding under a wooden dinghy on the beach. In settings as unexpected as a European post-war circus or an inflatable pool in suburban Aotearoa, the enduring bonds of family, real or imagined, take centre stage. Frankie McMillan has given us a collection that is poignant, revelatory and bitter sweet. Frankie McMillan is the author of five books of poetry and short fiction. Her most recent collection, ‘The Father of Octopus Wrestling’, was listed by The Spinoff as one of the 10 best New Zealand fiction books of 2019 and shortlisted for the NZSA Heritage Book Awards, and her 2016 collection, ‘My Mother and the Hungarians’, was longlisted for the Ockham New Zealand Book Awards. She has twice won the New Zealand Flash Fiction Day competition and has been the recipient of numerous awards and residencies, including the NZSA Peter and Dianne Beatson Fellowship (2019), the Michael King writing residency at the University of Auckland (2017), and the Ursula Bethell residency in creative writing at the University of Canterbury (2014). McMillan spends her time between Ōtautahi Christchurch and Mohua Golden Bay.

Bind: paperback

Pages: 128

Dimensions: 130 x 204 mm

Publication Date: 19-08-2022