To feel safe and sacred in this world, I need to treasure the sanctuary within me … Sanctuary: The discovery of wonder is an engaging and moving book full of spiritual insight, wisdom and warmth. It is the result of a decade of exploration and contemplation of the concept of sanctuary by Julie Leibrich, a poet and writer, formerly a research psychologist and Mental Health Commissioner. Sanctuary is written in a way that happily combines reason and imagination, poetry and critical thinking, knowledge and originality, producing a highly readable and rewarding book. Sanctuary cuts across genres: at once a spiritual memoir; a collection of personal journal entries and brief discourses; and a window into the views of influential writers, thinkers and poets, and of the author’s friends and acquaintances. Julie Leibrich’s life journey has led her to discover through ‘wondering, wandering and wonderment’ the elements of the world and self that are most sacred. It is truly wonderful … the reading experience in itself became a sanctuary. – Judi Clements, CEO, NZ Mental Health Foundation Leibrich’s experience may well be signalling an important ‘change of heart’ in the whole field of spirituality and mental health. – Professor Phil Barker, www.psychminded.co.uk It touches and moves me with its language and insight … [offering] such energy and hope. – Linden Lynn, author/artist, England

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Pages: 228

Dimensions: 200 x 200 mm

Publication Date: 20-03-2015

In 1877, Kate Edger became the first woman to graduate from a New Zealand university. The New Zealand Herald enthusiastically hailed her achievement as ‘the first rays of the rising sun of female intellectual advancement’. Edger went on to become a pioneer of women’s education in New Zealand. She also worked tirelessly to mitigate violence against women and children and to fortify their rights through progressive legislation. She campaigned for women’s suffrage and played a prominent role in the Women’s Christian Temperance Union and in Wellington’s Society for the Protection of Women and Children. Later in life she advocated international diplomacy and co-operation through her work for the League of Nations Union. Diana Morrow tells the story of this remarkable New Zealand woman’s life and, in the process, provides valuable insights into the role of women social reformers in our history and Edger’s place within a distinctive strand of Christian feminism.

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Pages: 276

Dimensions: 240 x 170 mm

Publication Date: 01-03-2021

The Sets returns again and again to the ever-present sea – as a metaphor, a mirror, a companion and an otherworld that contains our dreams and nightmares. Dunedin poet Victor Billot finds in the South Pacific Ocean an oracle of the future and a keeper of our histories. The Sets begins with reflections on the domestic world and the fragility of the family and personal relationships that sustain us, the necessity and refuge of love, and the sometimes catastrophic effects of failure in these relationships. The collection then shifts towards political and social satire, punching out mashups of fake news and rogue algorithms that mix mordant wit with compressed rage at the banality of humanity’s descent towards oblivion. From the poet’s coastal childhood to the turbulent post-1980s experiences of his generation, we end with a series of meditations on the ocean as a site of the brutality of globalised capitalism, and a representation of the complex and difficult worlds we carry within us. In love with language, entangled in the world, Victor Billot’s poetry draws on postpunk music and spoken word performance to create a panoramic extravaganza firing on all cylinders. He has his finger right on the zeitgeist, and accurately portrays the spirit of our times for New Zealanders … a very gifted poet who deserves to be widely read. – Laura Solomon, New Zealand Poetry Yearbook 2018 Victor Billot is the real deal … his poems are tough and tender and wise. – Michael Steven, author of Walking to Jutland Street and The Lifers This fellow Billot ought to be recognised as New Zealand’s demi-official poet laureate. – Steve Braunias, editor of Reading Room

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Pages: 118

Dimensions: 130 x 198 mm

Publication Date: 05-01-2021

This synthesis of Solomon Island archaeology draws together all the research that has taken place in the field over the past 50 years. It takes a multidisciplinary theoretical and methodological approach and considers the work of archaeologists, environmental scientists, anthropologists and historians. At the same time this volume highlights the results of the authors’ own considerable field research. This fascinating and very readable book is written for an archaeological audience but is also designed to be accessible to all readers interested in Pacific archaeology, anthropology and history. Featuring more than a hundred maps and figures, Archaeology of the Solomon Islands represents a ground-breaking contribution to Pacific archaeology.

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Pages: 200

Dimensions: 210 x 280 x 20 mm

Publication Date: 21-08-2017

The title of James Norcliffe’s tenth poetry collection points deftly to the way it conveys big emotions without cracking a smile or shedding a tear. In Deadpan, Norcliffe writes in an alert, compassionate yet sceptical voice. The book’s first section, ‘Poor Yorick’, shares the thoughts of an introspective narrator as he contends with the travails of later life. ‘In his hospital pyjamas’, Yorick is by turns cheerful and beset by loss, laughing and weeping, comparing the stages of life (and death). The following sections – ‘Scan’, ‘Trumpet Vine’, ‘Telegraph Road’ and ‘Travellers in a small Ford’ – reach around to mine experience in a world where ‘nothing lasts’; not childhood, place nor identity. An appropriate response to this ephemeral world is to embrace ambiguity, uncertainty, absurdity and surrealism. ‘Deadpan,’ writes the author in his introductory essay, ‘is the porter in Macbeth pausing to take a piss while there is that urgent banging at the gate. It is Buster Keaton standing unmoved as the building crashes down on top of him. It is my poker-faced Yorkshire grandfather playing two little dicky birds sitting on the wall.’ These poems are concise and contained, using supple, precise language and a gleam of dry and mordant wit. Deadpan is the work of a mature and technically astute poet who is one of New Zealand’s leading writers.

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Pages: 100

Dimensions: 165 x 235 x 10 mm

Until you send them on their way to be killed, they grant the grace of their company, draw you in with flared nostrils that pause over the bones of their dead. - – from ‘Drenching’ Unseasoned Campaigner is a layered collection exploring the complexities of farming life in Horowhenua. Poet Janet Newman uncovers territory ripe for exploration as she juxtaposes the often troubled aspects of commercial farming – the life and death of animals –with loving family relationships. The collection begins with the poet’s contemporary farming life, interspersed with memories of growing up on the same dairy farm. Newman then goes on to provides a portrait of her late father, the seasoned campaigner – a farmer working on the land, his war-induced anxiety, his hardness yet tenderness, and his widowhood. The final section, ‘Ruahine’, presents a take on being on the land now as the torch is passed to the next generation. Newman’s lyric poems are plainly and beautifully put together, with her delicate and surprising attention to form and language marking her as an exciting new voice in Aotearoa.

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Pages: 106

Dimensions: 148 x 210 mm

Publication Date: 30-07-2021

In the afternoon, peasant women set up shop beside their street-side fish smokers. Look, she said, from here you can see where the mountain range begins... And I wondered: what's the use being a tourist in a place like this? It's like bathing in clothes, kissing a lover through a handkerchief. - from "Lake Baikal" As The Verb Tenses is the work of a reflective and sensitive poetic talent: one run with gleaming wires of joy. In poems that gather together the vivid details of childhood memory, the surreal juxtapositions of life in the contemporary West, the wry observations of a temporary expatriate, the deeply lodged pain of historical and personal loss, Lynley Edmeades speaks to us in delicately spun lines that press out ironies, dissonances and profound formative experience. From playful, rhythmical poems about the art of dinner conversation, to warm glimpses of intimacy, she lays poetry's table with the knife of light satire, the bright salt of wit, the heady wine of love, the bread of knowledge. This quietly poised, confident first collection has a musical, emotional and thematic range of a substantial new talent.

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Pages: 64

Dimensions: 150 x 230 mm

Publication Date: 21-03-2016

Echoes from Hawaiki is a comprehensive account of taonga pūoro ancestral musical traditions and instrument-playing techniques. In this thoroughly researched and beautifully illustrated book, Jennifer Cattermole traces the origins and development of taonga pūoro, the stories they carry and how they connect present-day iwi with ancestral knowledge and traditions. She shows how traditional Māori and Moriori musical instruments have developed in response to available materials and evolving cultural needs, from their ancestral origins through the suppression of their use in nineteenth and early twentieth-century Aotearoa New Zealand, to their revival in the present day. An essential resource for all who are interested in taonga pūoro as treasured objects and as voices through time and place. ‘How did our forebears succeed in creating a bountiful array of musical instruments using stone tools and natural materials? This book answers that question in fine detail and also reveals how our present generation is reviving indigenous culture and language, thereby sustaining our brightly burning fires.’ —Huata Holmes (Kāitahu, Kāti Mamoe, Waitaha, Hāwea a Rapuwai ano)

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Pages: 236

Dimensions: 170 x 240 mm

Publication Date: 20-06-2024

New Zealand has always proudly worn its status of being the first country to enfranchise women. But not many know that it took a further 40 long years to get the first woman elected to Parliament. In fact women were not even entitled to stand as candidates in national elections until 1919 – 26 years after they won the right to vote in those elections. Even then there was resistance, with editor of the Auckland Star stating that it would open the way for ‘a class of aggressive females who, thirsting for publicity, would be constantly pushing themselves forward into positions for which they are in no sense fitted’. The journey ‘from the home to the House’ was a shamefully protracted one for New Zealand women, as many male parliamentarians who grudgingly accepted the franchise being extended to women staunchly resisted any further progress. Their political machinations and filibustering were highly effective. Eventually, with an additional 130,000 voters enrolled, politicians began to realise that women’s votes – and even women’s voices – mattered. However, it was not until 1933 that the first woman was elected to the New Zealand Parliament, when Elizabeth McCombs won the Lyttelton seat, following the death of her husband, the sitting MP. The history of women striving to share in governing the country, a neglected footnote in the nation’s electoral history, is now captured in this essential work by Jenny Coleman. She has drawn on a wide range of sources to create a rich portrayal of a rapidly evolving colonial society in which new ideas and social change were in constant friction with the status quo.

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Pages: 338

Dimensions: 150 x 230 mm

Publication Date: 30-05-2020

From Kaitaia in Northland to Oban on Stewart Island, New Zealand’s nineteenth-century towns were full of entrepreneurial women. Contrary to what we might expect, colonial women were not only wives and mothers or domestic servants. A surprising number ran their own businesses, supporting themselves and their families, sometimes in productive partnership with husbands, but in other cases compensating for a spouse’s incompetence, intemperance, absence – or all three. The pages of this book overflow with the stories of hard-working milliners and dressmakers, teachers, boarding-house keepers and laundresses, colourful publicans, brothelkeepers and travelling performers, along with the odd taxidermist, bootmaker and butcher – and Australasia’s first woman chemist. Then, as now, there was no ‘typical’ businesswoman. They were middle and working class; young and old; Māori and Pākehā; single, married, widowed and sometimes bigamists. Their businesses could be wild successes or dismal failures, lasting just a few months or a lifetime. In this fascinating and entertaining book, award-winning historian Dr Catherine Bishop showcases many of the individual businesswomen whose efforts, collectively, contributed so much to the making of urban life in New Zealand.

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Pages: 400

Dimensions: 170 x 240 x 20 mm

Publication Date: 10-10-2019